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Arthur Koestler CBE (UK: / ˈ k ɜː s t l ər /, US: / ˈ k ɛ s t-/; German:; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest , and was educated in Austria, apart from his early school years.
Koestler Arts (formerly The Koestler Trust) [1] is a charity that helps ex-offenders, secure patients and detainees in the UK to express themselves creatively. [2] It promotes the arts in prisons, secure hospitals, immigration centres and in the community, encouraging creativity and the acquisition of new skills as a means to rehabilitation .
Koestler's contribution appeared on 2 October 1969. Sins of Omission: While Six Million Died by Arthur D. More. Reviewed in the Observer, 7 April 1968. The Future if any: The Biological Time-Bomb by Gordon Rattray Taylor. Reviewed in the Observer, 21 April 1968. Going Down the Drain : The Doomsday Book by Gordon Rattray Taylor.
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Koestler's fundamental idea is that any creative act is a bisociation (not mere association) of two (or more) apparently incompatible frames of thought. [1] Employing a spatial metaphor, Koestler calls such frames of thought matrices: "any ability, habit, or skill, any pattern of ordered behaviour governed by a 'code' of fixed rules."
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Written during the middle of World War II, Arrival and Departure reflects Koestler's own plight as a Hungarian refugee. Like Koestler, the main character, Peter Slavek, is a former member of the Communist party. [2] He escapes to "Neutralia," a neutral country based on Portugal, where Koestler himself had gone, and flees from there.
Women in six U.S. states are now effectively allowed to be topless in public, according to a new ruling by the U.S. 10th Circuit Court of Appeals.