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Arthur Koestler CBE (UK: / ˈ k ɜː s t l ər /, US: / ˈ k ɛ s t-/; German:; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest , and was educated in Austria, apart from his early school years.
Koestler Arts (formerly The Koestler Trust) [1] is a charity that helps ex-offenders, secure patients and detainees in the UK to express themselves creatively. [2] It promotes the arts in prisons, secure hospitals, immigration centres and in the community, encouraging creativity and the acquisition of new skills as a means to rehabilitation .
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Koestler's contribution appeared on 2 October 1969. Sins of Omission: While Six Million Died by Arthur D. More. Reviewed in the Observer, 7 April 1968. The Future if any: The Biological Time-Bomb by Gordon Rattray Taylor. Reviewed in the Observer, 21 April 1968. Going Down the Drain : The Doomsday Book by Gordon Rattray Taylor.
Koestler's fundamental idea is that any creative act is a bisociation (not mere association) of two (or more) apparently incompatible frames of thought. [1] Employing a spatial metaphor, Koestler calls such frames of thought matrices: "any ability, habit, or skill, any pattern of ordered behaviour governed by a 'code' of fixed rules."
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Like Koestler, the main character, Peter Slavek, is a former member of the Communist party. [2] He escapes to "Neutralia," a neutral country based on Portugal, where Koestler himself had gone, and flees from there. (Harold Rosenberg wrote in a book review in Partisan Review that "there ought to be a law against such place-names."
Los Angeles has agreed to pay $300,000 to cover the legal fees of a local journalist and a technology watchdog group that had been sued by the city last year for publishing photos of names and ...