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In 133 cantos, including the prologue and the epilogue, Tennyson uses the stylistic beats of tetrameter to address the subjects of spiritual loss and themes of nostalgia, philosophic speculation, and Romantic fantasy in service to mourning the death of his friend, the poet A. H. Hallam; thus, in Canto IX, Tennyson describes the return of the ...
According to the local story, Tennyson was staying at High Beach in the vicinity and heard the bells being rung on New Year's Eve. It is an accepted English custom to ring English Full circle bells to ring out the old year and ring in the new year over midnight on New Year's Eve. Sometimes the bells are rung half-muffled for the death of the ...
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The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
The volume had the following title-page: Poems, Chiefly Lyrical, by Alfred Tennyson. London: Effingham Wilson, Royal Exchange, 1830. [3] Favourable reviews appeared by Sir John Bowring in the Westminster, by Leigh Hunt in the Tatler, and by Arthur Hallam in the Englishman's Magazine. [2]
Idylls of the King, published between 1859 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson (1809–1892; Poet Laureate from 1850) which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom.
Poems, by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes.It includes some of Tennyson's finest and best-loved poems, [1] [2] such as Mariana, The Lady of Shalott, The Palace of Art, The Lotos Eaters, Ulysses, Locksley Hall, The Two Voices, Sir Galahad, and Break, Break, Break.
The poem can be interpreted as Tennyson’s perspective on the connection between God and Nature. [8] English critic Theodore Watts characterized Tennyson as a "nature poet." [ 9 ] Fredric Myers described Tennyson as incorporating the “interpenetration of the spiritual and material worlds" into his literary works.