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A music video using the shorter "Version 2.0" soundtrack was directed by Anton Corbijn. It depicted the bandmembers in an urban landscape of Brussels, including the Berlaymont building and the Atomium that had been built for the 1958 World's Fair, [2] and used eggs as a visual theme. According to bandmember Patrick Codenys this was because ...
It consists of the band’s debut album, Egg (1970), and their earlier (and only) single, “Seven Is A Jolly Good Time”/”You Are All Princes”, released 1969. The album has not been remastered; rather, the single A- and B-side tracks have been added to the band's first album Egg as bonus material.
"Dirty Old Egg-Sucking Dog" is a song written by Jack Clement and originally recorded by Johnny Cash on Columbia Records for his novelty album Everybody Loves a Nut, released in 1966. Cash notably performed the song at Folsom Prison on January 13, 1968, and it appears on his live album At Folsom Prison released later that year.
The song took half a year to create, [10] [11] and Eggplant Egg chose March 14, White Valentine's Day at 13:14 (from the Mandarin harmony: whole life) to upload the music video of 'Oh Love, You Are Much Greater Than I Imagined' to YouTube, and attended the press conference of the theme song on the same day, [10] [7] and the sound source was ...
Bing Crosby - recorded the song for his film Blue Skies in 1945 but it was cut from the film. Bob Wills and His Texas Playboys - in 1945 but not released until Tiffany Transcriptions Vol. 6 (1987) [4] Fred Astaire - for his album The Astaire Story (1953) [5] Carmen McRae - Blue Moon (1956) [6] Ella Fitzgerald and Louis Armstrong - Ella and ...
"The Little Black Egg" is a song first performed by Daytona Beach, Florida garage band the Nightcrawlers in 1965. [5] It was a minor hit in both the US and Canada, reaching number 85 on the US Billboard charts in 1967, [ 7 ] while doing slightly better in Canada, where it hit number 74. [ 8 ]
The music of egg punk is influenced by the do-it-yourself ethos of punk subculture, characterized by the use of minimal or lo-fi recording and mixing methods and hand-drawn or collage album covers. [1] Also described as Devo-core, the genre is heavily influenced by the music of new wave band Devo as both an aesthetic and stylistic influence.
Their music can be described as progressive rock with elements of psychedelia and chamber rock (later exemplified by the Rock In Opposition movement). They employed unusual time signatures, as reflected in songs like "Seven Is A Jolly Good Time". They also brought a humorous element to their music.