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The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Chelsea Candelario/PureWow. 2. “I know my worth. I embrace my power. I say if I’m beautiful. I say if I’m strong. You will not determine my story.
50. "I just want women to always feel in control. Because we're capable, we're so capable." — Nicki Minaj. 51. "You draw your own box. You introduce yourself as who you are. . . .
March is Women’s History Month, and there's no better time to celebrate the accomplishments of the iconic women who shaped our history.. These amazing artists, actors, pilots, poets, athletes ...
The song was written by Jim Adkins and features backing vocals by Liz Phair. "Work" was released to radio on December 7, 2004. [1] "Work" received positive reviews from critics, and it appeared on the Billboard Alternative Songs chart and the UK Singles Chart. A music video was released for the song; it featured interviews with high school ...
Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. [1]When defining work songs, most modern commentators include songs that are sung while working, as well as songs that are about work or have work as the main subject, since the two categories are often interconnected. [2]
“Women’s work is never easy, never clean.” ― Tayari Jones, "An American Marriage" “You don’t know the background story of resilience, struggles and strength of beautiful and outgoing ...
Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, Generalized Musical Intervals and Transformations. The theory—which models musical transformations as elements of a mathematical group —can be used to analyze both tonal and atonal music .