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The origin of mourning and praying for the dead for 30 days can be traced back to the Old Testament, where the Jews mourned for Moses for 30 days according to Deuteronomy 34:8. The history of the "Thirty Mass" practice goes back to the year 590 A.D. in St. Andrew's Monastery in Rome, founded by Gregory the Great in his own family villa around 570.
The Mass of Saint Gregory is a subject in Roman Catholic art which first appears in the late Middle Ages and was still found in the Counter-Reformation. Pope Gregory I ( c. 540 –604) is shown saying Mass just as a vision of Christ as the Man of Sorrows has appeared on the altar in front of him, in response to the Pope's prayers for a sign to ...
Gregorian chant setting for Kyrie XI notated in neumes.. The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass.It contains eighteen Masses (each consisting of the Kyrie, Gloria [excluded from Masses intended for weekdays/ferias and Sundays in Advent and Lent], Sanctus, and Agnus Dei), six Credos, and several ad libitum chants.
The "usual book" or "common book" also contains chants for specific rituals, such as nuptial Masses, Requiem Masses and the Office of the Dead, ordinations, and Benediction. This modal, monophonic Latin music has been sung in the Catholic Church since at least the sixth century to the present day.
"Libera me" ("Deliver me") is a responsory sung in the Office of the Dead in the Catholic Church, and at the absolution of the dead, a service of prayers for the dead said beside the coffin immediately after the Requiem Mass and before burial. The text asks God to have mercy upon the deceased person at the Last Judgment.
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A Funeral Mass is a form of Mass for the Dead or Requiem Mass, so called because of the first word of what in earlier forms of the Roman Rite was the only Introit (entrance antiphon) allowed: Réquiem ætérnam dona eis, Dómine; et lux perpétua lúceat eis. (Eternal rest give to them, O Lord; and let perpetual light shine upon them).
At the time of the commission, he was working on an organ suite using themes from Gregorian chants. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian "Mass for the Dead". [3] Nearly all the thematic material in the work comes from chant. [3]
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