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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Reference work: publication that one can refer to for confirmed facts, such as a dictionary, thesaurus, encyclopedia, almanac, or atlas. Self-help: a work written with information intended to instruct or guide readers on solving personal problems. Obituary; Travel: literature containing elements of the outdoors, nature, adventure, and traveling.
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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Reader-response criticism establishes these horizons of expectation by reading literary works of the period in question. Both Iser and Jauss, along with the Constance School, exemplify and return reader-response criticism to a study of the text by defining readers in terms of the text.
The time covered in individual years covers Renaissance, Baroque and Modern literature, while Medieval literature is resolved by century. Note: List of years in poetry exists specifically for poetry. See Table of years in literature for an overview of all "year in literature" pages. Several attempts have been made to create a list of world ...
The 21st century in literature refers to world literature produced during the 21st century. The measure of years is, for the purpose of this article, literature written from (roughly) the year 2001 to the present. 2001 – The Corrections by Jonathan Franzen; [1] Seabiscuit: An American Legend by Laura Hillenbrand; [2] Life of Pi by Yann Martel ...
In the context of the preceding and next lines, "(And by that destiny) to perform an act, Whereof what's past is prologue; what to come, In yours and my discharge," Antonio is in essence rationalising to Sebastian and the audience that he and Sebastian are fated to act by all that has led up to that moment, the past has set the stage for their ...