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Masaccio is often compared to contemporaries like Donatello and Brunelleschi as a pioneer of the renaissance, particularly for his use of single-point perspective. [1] One technique that was unique to Masaccio, however, was the use of atmospheric, or aerial perspective. Both the mountains in the background, and the figure of Peter on the left ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Primarily through the depiction of architecture, Renaissance artists were able to practice the art of three-dimensional illusion using linear perspective, which gave their works a greater sense of depth. [3] The pictures in the gallery below show the development of linear perspective in buildings and cityscapes.
The perspective then in the depiction of good government radiates from this center, making use of a more radial perspective. [8] The second and more popular hypothesis put forward is the idea that the perspective is derived from the gaze line of Justice.
Masolino, Banquet of Herod, Castiglione Olona. In the first half of the 15th century, Lombardy was the Italian region where the International Gothic style had the greatest following, so much so that in Europe the expression ouvrage de Lombardie was synonymous with an object of precious workmanship, referring especially to the miniatures and jewelry that were an expression of an elitist ...
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...