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In addition to pronouncing "lovely" as "loverly", the song lyrics highlight other facets of the Cockney accent that Professor Henry Higgins wants to refine away as part of his social experiment. In the stage version it was sung by Julie Andrews. [1] In the 1964 film version, Marni Nixon dubbed the song for Audrey Hepburn. [2]
The original soundtrack to the 1964 film My Fair Lady was released by Columbia. [3] Billboard reviewed the album in its issue from 3 October 1964, writing: "A blockbuster! Cast is excellent. Performance is outstanding. Sound is great.
My Fair Lady is a 1964 American musical comedy drama film adapted from the 1956 Lerner and Loewe stage musical based on George Bernard Shaw's 1913 stage play Pygmalion.With a screenplay by Alan Jay Lerner and directed by George Cukor, the film depicts a poor Cockney flower-seller named Eliza Doolittle who overhears a phonetics professor, Henry Higgins, as he casually wagers that he could teach ...
Eliza Doolittle is a fictional character and the protagonist in George Bernard Shaw's play Pygmalion (1913) and its 1956 musical adaptation, My Fair Lady. Eliza (from Lisson Grove , London ) is a Cockney flower seller, who comes to Professor Henry Higgins asking for elocution lessons, after a chance encounter at Covent Garden .
The Broadway cast recording of the musical My Fair Lady was first released April 2, 1956 by Columbia Records, [2] with songs by Lerner and Loewe, conducted by Franz Allers, starring Rex Harrison and Julie Andrews. Columbia president Goddard Lieberson provided the $375,000 needed to stage the show in return for the rights to the cast recording. [2]
Lerner and Loewe, c. 1962 Lerner and Loewe is the partnership between lyricist and librettist Alan Jay Lerner and composer Frederick Loewe. [1] Spanning three decades and nine musicals from 1942 to 1960 and again from 1970 to 1972, the pair are known for being behind the creation of critical on stage successes such as My Fair Lady, Brigadoon, and Camelot along with the musical film Gigi.
William Ruhlmann of AllMusic noted that "Williams may have been going for a more swinging, up-tempo mood, but the busy charts, full of pizzicato strings, vocal choruses, and competing counter-melodies, distracted attention from the songs. an essentially comic song like "Get Me to the Church on Time," and a few of the arrangements did work, notably the bossa nova treatment of "Begin the Beguine ...
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