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The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [ 3 ] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses.
The use of the term "alto" to describe solo voices is mostly seen in contemporary music genres (pop, rock, etc.) to describe singers whose range is lower than that of a mezzo-soprano but higher than that of a true contralto, and is very rarely seen in classical music outside of soloists in choral works. In classical music, most women with an ...
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
Spanish musicians by instrument ... Spanish women musicians (15 C, 8 P) Spanish LGBTQ musicians (5 C ... Spanish composers (13 C, 174 P) Spanish conductors (music) (7 ...
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During the 1940s, Spanish music was shaped by the aftermath of the Civil War and Francisco Franco's dictatorship. Traditional genres like flamenco and classical music continued to thrive, albeit under strict censorship. Popular music forms such as zarzuela and pasodoble celebrated Spanish identity. The era reflected a complex interplay of ...
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María Rodrigo (20 March 1888 – 8 December 1967) was a Spanish pianist and composer. [1] She was the daughter of Pantaléon Rodrigo, and studied music at the Madrid Conservatorium under José Tragó for piano, Valentín Arín for harmony and Emilio Serrano for composition. [2] Maria was the first woman to have her opera performed in Spain.