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The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [ 3 ] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses.
The use of the term "alto" to describe solo voices is mostly seen in contemporary music genres (pop, rock, etc.) to describe singers whose range is lower than that of a mezzo-soprano but higher than that of a true contralto, and is very rarely seen in classical music outside of soloists in choral works. In classical music, most women with an ...
For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]
Rocío Jurado was born on Calvo Soto Street #11, Chipiona in Andalusia, Spain.Her father, Fernando Mohedano Crespo (died at 36 years old), was a shoemaker and flamenco singer in his spare time; her mother, Rocío Jurado Bernal (died at 52 years old because of pancreatic cancer), was housewife and amateur performer of Andalusian traditional music.
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
Alicia de Larrocha y de la Calle (23 May 1923 – 25 September 2009) was a Spanish pianist and composer. She was considered one of the great piano legends of the 20th century. [ 1 ] Reuters called her "the greatest Spanish pianist in history", [ 2 ] Time "one of the world's most outstanding pianists", [ 3 ] and The Guardian "the leading Spanish ...
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During the 1940s, Spanish music was shaped by the aftermath of the Civil War and Francisco Franco's dictatorship. Traditional genres like flamenco and classical music continued to thrive, albeit under strict censorship. Popular music forms such as zarzuela and pasodoble celebrated Spanish identity. The era reflected a complex interplay of ...