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The poem is characterized by its use of the montage, a cinematic technique of quickly cutting from one scene to another in order to juxtapose disparate images, and its use of contemporary jazz modes like boogie-woogie, bop and bebop, both as subjects in the individual short poems and as a method of structuring and writing the poetry. [5]
The Hutchinsons' career spanned the major social and political events of the mid-19th century, including the Civil War. The Hutchinson Family Singers established an impressive musical legacy and are considered to be the forerunners of the great protest singer-songwriters and folk groups of the 1950s and 60s, such as Woody Guthrie and Bob Dylan.
Many of the songs in the 1950s hinted at the simmering racial tension that would later usher in the Civil Rights Movement in the 1960s. The 1950s was a pivotal era in music, laying the groundwork ...
The protest music of the 1950s, soon after apartheid had begun, explicitly addressed peoples' grievances over pass laws and forced relocation. Following the Sharpeville massacre in 1960 and the arrest or exile of a number of leaders, songs became more downbeat, while increasing censorship forced them to use subtle and hidden meanings. [ 8 ]
Music has traditionally showcased simple, repetitive songs used in social movements or for inspiring collective calls to action. [45] " Strange Fruit " by Billie Holiday (1939) is considered to be one of the first protest songs that breaks away from traditional styles, providing a dark, haunting commentary about lynchings in the United States.
Anti-war Songs a website collecting thousands of antiwar songs from all over the world; Folk&More: Songbook & Tabs a growing collection of chords, tabs, and lyrics of anti-war songs from Bob Dylan to Bob Marley; The page contains an interview with Judy Small the writer and composer of Mothers, Daughters, Wives.
The sociologist R. Serge Denisoff saw protest songs rather narrowly in terms of their function, as forms of persuasion or propaganda. [6] Denisoff saw the protest song tradition as originating in the "psalms" or songs of grassroots Protestant religious revival movements, terming these hymns "protest-propaganda", as well.
She became a poet after a series of occupations as a young adult, including as a cast member of a European tour of Porgy and Bess, and a performer of calypso music in nightclubs in the 1950s. Many of the songs she wrote during that period later found their way to her later poetry collections. She eventually gave up performing for a writing career.