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1927 Intimate Gallery, New York, Georgia O’Keeffe: Paintings, 1926 as The Dark Iris No. III; 1933 at An American Place as Black Iris; 1966 Amon Carter Museum of Western Art, Fort Worth, Texas, Georgia O'Keeffe: An Exhibition of the Work of the Artist from 1915 to 1966; 1970 Whitney Museum of American Art, New York, Georgia O'Keeffe as Black ...
Georgia O'Keeffe created a series of paintings of skyscrapers in New York City between 1925 and 1929. They were made after O'Keeffe moved with her new husband into an apartment on the 30th floor of the Shelton Hotel, which gave her expansive views of all but the west side of the city. She expressed her appreciation of the city's early ...
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
Georgia Totto O'Keeffe was born on a farm near Sun Prairie in Wisconsin's Dane County on Nov. 15, 1887. She was the second oldest child and oldest daughter of Francis Calyxtus O'Keeffe and Ida ...
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements.
The Georgia O'Keeffe Museum is dedicated to the artistic legacy of Georgia O'Keeffe, her life, American modernism, and public engagement. It opened on July 17, 1997, eleven years after the artist's death.
So maintains Paul Wagner, co-producer of "Georgia O'Keeffe: The Brightness of Light." The film is set to debut at the Santa Fe International Film Festival on Saturday, Oct. 19, and Sunday, Oct. 20 ...
In 1930, Georgia O'Keeffe created 54 works, some of which were created in Maine and New York, though the majority were completed in New Mexico. [4] In April of that year, she continued her exploration of natural forms in Maine, expanding on her ongoing shell series first initiated in the 1920s (Shell and Old Shingle I, Shell and Old Shingle VII, 1926; Shell No. 2, 1928) and continuing ...
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