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It is a room that can be made completely dark to allow the processing of light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water. Darkrooms have been used since the inception of photography in
The image took 5 days to produce, in order to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to dark shadow. [3] Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two techniques.
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
A chemogram (from "chemistry", "optic" and gramma, Greek for "things written") [1] is an experimental art where a photographic image is partly or fully enlarged and processed onto photographic paper in the darkroom and afterwards selectively painted over in full light with chemicals used in photographic processing.
A camera obscura (pl. camerae obscurae or camera obscuras; from Latin camera obscūra 'dark chamber') [1] is the natural phenomenon in which the rays of light passing through a small hole into a dark space form an image where they strike a surface, resulting in an inverted (upside down) and reversed (left to right) projection of the view outside.
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
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The camera obscura (from the Latin for 'dark room') is a natural optical phenomenon and precursor of the photographic camera. It projects an inverted image (flipped left to right and upside down) of a scene from the other side of a screen or wall through a small aperture onto a surface opposite the opening.