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The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.
Arabic calligraphy can be on occasion be found in places of worship for Muslim's known as Mosques with engravings of Quranic verses / Ayah present on parts of the architecture itself. [16] The most widely recognized example of Arabic Calligraphy on a place of Islamic worship is the Kaaba present in Mecca, Saudi Arabia. [17]
Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles. Arabic or Persian calligraphy has also been incorporated into modern art, beginning with the post-colonial period in the Middle East, as well as the more recent style of calligraffiti. [8]
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines.
Mouneer Al-Shaarani (Arabic: منير الشعراني; born September 6, 1952) is a Syrian graphic artist specialized in Arabic calligraphy. [1] Al-Shaarani is known as calligrapher, graphic designer and writer about Arabic calligraphy and Arab Islamic art. He has designed several Arabic typefaces for book covers or other graphic creations ...
Ibrahim El-Salahi (Arabic: إبراهيم الصلحي, born 5 September 1930) is a Sudanese painter, former public servant and diplomat.He is one of the foremost visual artists of the Khartoum School, [1] considered as part of African Modernism [2] and the pan-Arabic Hurufiyya art movement, that combined traditional forms of Islamic calligraphy with contemporary artworks. [3]
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