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A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. [4][5]: 145 Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective (rectilinear images), fisheye lenses use ...
A wide-angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either large tilt & shift movements with a view camera. By convention, in still photography, the normal lens for a particular format has a focal length ...
Another result of using a wide-angle lens is a greater apparent perspective distortion when the camera is not aligned perpendicularly to the subject: parallel lines converge at the same rate as with a normal lens, but converge more due to the wider total field. For example, buildings appear to be falling backwards much more severely when the ...
Ultra wide angle lens is a rectilinear which is less than 24 mm of focal length in 35 mm film format, here 14 mm gives 114° and 24 mm gives 84° . Wide-angle lenses (24–35 mm in 35 mm film format) cover between 84° and 64° Normal, or Standard lenses (36–60 mm in 35 mm film format) cover between 62° and 40°
Anamorphic street art by Manfred Stader. While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public ...
Tilt-lens photo of a model train. Note how the focus plane is along the train, and how the blurring of the background proceeds from left to right. Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras.
The advent of the Biogon opened the way to more extreme wide-angle lenses. Bertele continued to develop his design, patenting an asymmetric wide-angle lens in 1952 that covered an astonishing 120° angle of view "and beyond, practically distortion free", by adding a strong negative meniscus front element to the Biogon design, showing influences from earlier fisheye lens designs, including the ...
Also, wide-angle lenses for narrow-gauge movie cameras had to be of this type because of the shutter mechanism that had to fit in between. [2]: 142–143 In still photography, a single-lens reflex camera requires a space for the reflex mirror, imposing a limit on the use of wide-angle lenses of symmetric designs. The retrofocus lens addressed ...
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