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A wide-angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either large tilt & shift movements with a view camera. By convention, in still photography, the normal lens for a particular format has a focal length ...
For example, if standing at a distance so that a normal lens captures someone's face, a shot with a wide-angle lens or telephoto lens from the same distance will have exactly the same linear perspective geometry on the face, though the wide-angle lens may fit the entire body into the shot, while the telephoto lens captures only the nose.
A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. [4][5]: 145 Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective (rectilinear images), fisheye lenses use ...
In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. [1] These are typically shot now using wide-angle lenses (an approximately 25 mm lens in 35 mm ...
Shot (filmmaking) In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. [1] Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process:
Ultra wide angle lens is a rectilinear which is less than 24 mm of focal length in 35 mm film format, here 14 mm gives 114° and 24 mm gives 84° . Wide-angle lenses (24–35 mm in 35 mm film format) cover between 84° and 64° Normal, or Standard lenses (36–60 mm in 35 mm film format) cover between 62° and 40°
Wong considered the two movies to be complementary counterparts exploring contemporary Hong Kong. Cinematographer Christopher Doyle extensively used wide-angle lens to distort the characters' faces on the screen, conveying their isolation from the surrounding world. Doyle also creates distorted tension in scenes of extreme violence with frantic ...
A single shot example of the OTS shot occurs in Citizen Kane. Cinematographer Gregg Toland uses a specially-made wide-angle lens with a very deep depth of field to get sharp focus from three feet from the camera to 25 feet away, which seems further because of the wide-angle lens. In the scene, Kane is preparing to sign away control of his ...