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The subsampling scheme is commonly expressed as a three-part ratio J:a:b (e.g. 4:2:2) or four parts, if alpha channel is present (e.g. 4:2:2:4), that describe the number of luminance and chrominance samples in a conceptual region that is J pixels wide and 2 pixels high. The parts are (in their respective order):
MPEG LA [1] Website. www.itu.int /rec /T-REC-H.264. Block diagram of video coding layer of H.264 encoder with perceptual quality score. Advanced Video Coding (AVC), also referred to as H.264 or MPEG-4 Part 10, is a video compression standard based on block-oriented, motion-compensated coding. [2]
www.itu.int /rec /T-REC-H.265. High Efficiency Video Coding (HEVC), also known as H.265 and MPEG-H Part 2, is a video compression standard designed as part of the MPEG-H project as a successor to the widely used Advanced Video Coding (AVC, H.264, or MPEG-4 Part 10). In comparison to AVC, HEVC offers from 25% to 50% better data compression at ...
D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, [1] [2] along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette).
The color encoding system is known as YCbCr 4:2:2. The Rec. 601 video raster format has been re-used in a number of later standards, including the ISO/IEC MPEG and ITU-T H.26x compressed formats, although compressed formats for consumer applications usually use chroma subsampling reduced from the 4:2:2 sampling specified in Rec. 601 to 4:2:0.
[1] [2] The MaxDpbSize can increase to a maximum of 16 frames, if the luma picture size of the video is smaller than the maximum luma picture size of that level, in incremental steps of 4/3×, 2×, or 4×. [1] [2] D The MinCR, minimum compression ratio, for that level. [2] The MinCR constraint is reduced to half its base value for the 4:2:2 and ...
Serial digital interface (SDI) is a family of digital video interfaces first standardized by SMPTE (The Society of Motion Picture and Television Engineers) in 1989. [1][2] For example, ITU-R BT.656 and SMPTE 259M define digital video interfaces used for broadcast -grade video. A related standard, known as high-definition serial digital ...
The video must be 4:2:0 (chrominance resolution must be 1/2 of luma horizontal resolution and 1/2 of luma vertical resolution). The ATSC specification and MPEG-2 allow the use of progressive frames coded within an interlaced video sequence.