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Skin color contrast has been identified as a feminine beauty standard observed across multiple cultures. [7] Women tend to have darker eyes and lips than men, especially relative to the rest of their facial features, and this attribute has been associated with female attractiveness and femininity, [7] yet it also decreases male attractiveness according to one study. [8]
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
And watch Stanley’s full, extended Yahoo Entertainment interview above for more about his art career, KISS’s decisions to remove their makeup in 1983 and put it back on in 1996, how he ...
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
[1] [2] Fashion trends influenced theater, films, literature, and art. [1] The introduction of makeup was reasonably new to the society. Women were figuring out methods to apply it correctly, which later defined makeup looks. Women also found a new need to wear more make-up, as a skewed postwar sex ratio created a new emphasis on sexual beauty. [2]
A component of the female beauty ideal in Persian literature is for women to have faces like a full moon. [192] [209] [210] Similarly, in Arabian society in the Middle Ages, a component of the female beauty ideal was for women to have round faces which were like a "full moon". [193]
Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
Stiletto feminism, a more ideologically radical variety of lipstick feminism, sees the postmodern use of fetish fashion as empowering; [19] and extends the argument from the acceptance of makeup, to the validity of women practicing occupations specifically predicated upon female physical beauty, such as working as a striptease dancer or as a ...
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