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The clothing style and fashion sense of the Philippines in the modern-day era have been influenced by the indigenous peoples, Chinese waves of immigration, the Spaniards, and the Americans, as evidenced by the chronology of events that occurred in Philippine history. At present, Filipinos conform their way of dressing based on classic fashion ...
Pará – typical clothing of Carimbó, a popular dance from the northern region of Brazil. Indigenous clothes for many states within the Amazônia Legal area. In this region, there is an extensive indigenous community with different ethnicities, and each of them has their own typical clothes.
Late 19th century barong tagalog made from piña with both pechera ("shirt front") and sabog ("scattered") embroidery, from the Honolulu Museum of Art. The barong tagalog, more commonly known simply as barong (and occasionally baro), is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines.
A patadyong from the Sulu Archipelago, Philippines. The patadyong (pronounced pa-tad-jóng, also called patadyung, patadjong, habol, or habul), is an indigenous Philippine rectangular or tube-like wraparound skirt worn by both men and women of the Visayas islands and the Sulu Archipelago, similar to the Malong, or Sarong.
It is derived from the identically-named tapis, the original indigenous wraparound skirt of women in the Philippines, which is a rectangle of brightly-colored cloth woven from abaca fibers. [12] Some ladies belonging to the higher classes (often of the mestiza caste) consider the tapis a lowly piece of clothing.
Tapis across various cultures in the Philippines may generally refer to a single, rectangular piece of cloth one wraps around oneself as clothing, but is also the term for a colorful, hand-woven wraparound skirt common in the pre-colonial period, and which is still used today as part of the María Clara gown and by culturally conservative tribes.
Even in areas where people wear Western-style clothing during the day, the malong is commonly used as sleepwear. The malong is also used in very big festivals, they wear this to show respect. Two are represented in the Ayala Museum Collection: The "malong a andon" on the left, and the "malong a landap" on the right.
Chapter II, Section 3h of the Indigenous Peoples' Rights Act of 1997 defines "indigenous peoples" (IPs) and "indigenous cultural communities" (ICCs) as: . A group of people or homogenous societies identified by self-ascription and ascription by others, who have continuously lived as organized community on communally bounded and defined territory, and who have, under claims of ownership since ...
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