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The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in what is now Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. [ 1 ]
Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, textile: Brooklyn Museum Detail of one shaman showing knife and head. The Paracas textiles were found at a necropolis in Peru in the 1920s. The necropolis held 420 bodies who had been mummified and wrapped in embroidered textiles of the Paracas culture in 200–300 BCE. [1]
Centro de Textiles Tradicionales del Cuzco (Center for Traditional Textiles of Cusco or CTTC) was founded by indigenous weavers from the community of Chinchero as well as international supporters in 1996 as a non-profit organization. [1] It is based out of the city of Cusco, Peru where its main offices, museum and shop are located. The CTTC ...
The dry environment of southern Peru's Pacific coast allows organic materials to be preserved when buried. [18] Mummified human remains were found in a tomb in the Paracas peninsula of Peru, buried under layers of cloth textiles. [19] The dead were wrapped in layers of cloth called "mummy bundles".
While humans have created textiles since the dawn of culture, many are fragile and disintegrate rapidly. Ancient textiles are preserved only by special environmental conditions. The oldest known textiles in the Americas are some early fiberwork found in Guitarrero Cave, Peru dating back to 10,100 to 9,080 BCE. [3]
This fish-shaped textile, a complete weaving with 33 finished edges, was stitched with others like it to a mantle, a shawl-like garment that was a staple of ancient Andean wardrobe. The partial “x-ray view,” which emphasizes the bony white teeth and spine, is unique to the style of the Ychsma ( yeach- mah), who lived on Peru’s central coast.
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Beyond the painting of the kené on wood, textiles and ceramics, Shipibo women, considered artists in modern times, also paint them on public murals in urban environments as a form of cultural resistance. [16] Likewise, many national and foreign tourists buy textiles with kené designs for decorative purposes in their homes. [9]