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An image of the elephant keeper in India riding his elephant from Tashrih al-aqvam (1825). Samponiet Reserve, Aceh Mahout with a young elephant at Elephant Nature Park, Thailand A young elephant and his mahout, Kerala, India. A mahout is an elephant rider, trainer, or keeper. [1] Mahouts were used since antiquity for both civilian and military use.
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Ever since the Stone Age, when elephants were represented by ancient petroglyphs and cave art, they have been portrayed in various forms of art, including pictures, sculptures, music, film, and even architecture. Elephant scalp worn by Demetrius I of Bactria (205–171 BC), founder of the Indo-Greek Kingdom, as a symbol of his conquest.
Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Size comparison of the Sagauni 1 specimen, estimated to be 4.35 metres tall, compared to a human. Like living elephants, Palaeoloxodon namadicus is thought to have been sexually dimorphic, with males considerably larger than females, with the skull of a P. namadicus male found in the Godavari valley described in 1905 being a full 40% larger than that of a mature female (NHMUK PV M3092, which ...
It was originally called an elephant, hastīn or gāja in Sanskrit. It was probably one of the original chess pieces, appearing in chaturanga and shatranj. However, its original move is uncertain; two possibilities, other than the current alfil move, are the dabbaba move (jumping two squares orthogonally) and the move of the silver general from ...
Elephant art may refer to: Art by elephants, paintings etc. made by elephants; Art depicting elephants, pictures etc. showing elephants This page was last edited on ...
Elements of Indian art: Including temple architecture, iconography & iconometry. New Delhi: Indraprastha Museum of Art and Archaeology. Gupta, S. P., & Shastri Indo-Canadian Institute. (2011). The roots of Indian art: A detailed study of the formative period of Indian art and architecture, third and second centuries B.C., Mauryan and late Mauryan.