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White elephant with four tusks, similar to the elephant of the god Indra: Mother would give birth to a child with good character. The four tusk of elephant depicts the four components of Sangha: monks, nuns, laymen and laywomen. 2: 2 Vrishabha: Bull: The dream foretold the birth of a great religious Teacher who would spread the light of ...
Finally the elephant disappeared and the queen awoke, knowing she had been delivered an important message, as the elephant is a symbol of greatness. According to Buddhist tradition, the Buddha-to-be was residing as a bodhisattva in the Tuṣita heaven, and decided to take the shape of a white elephant to be reborn on Earth for the last time ...
The sacred white elephant Airavata is considered the ancestor of all elephants and plays a prominent role as the mount of the god Indra. [ 8 ] [ 9 ] According to Buddhist legends, the mother of the historical Buddha only became pregnant with him after seeing a white elephant in a dream; Buddha is also said to have been saved later by an ...
The symbolic meaning of Gajendra moksha is that materialistic desires, ignorance, and sins create an endless chain of karma in this world and are similar to a crocodile preying upon a helpless elephant stuck in a muddy pond.
Universal Virtue rides the white elephant for the sole purpose of guiding the people of Jambudvīpa, or the sahā-world, through practices that are associated with their environment. [7] The bodhisattva riding on his white elephant is a symbolic image of Buddhist practice, as well as a representation of purity.
To the royal sages, the white elephant signifies royal majesty and authority; they interpreted the dream as meaning that her child was destined for greatness as a universal monarch or a buddha. [ 7 ] Elephants remain an integral part of religion in South Asia and some are even featured in various religious practices. [ 8 ]
In addition, the eight guardian deities who preside over the points of the compass each sit on an elephant (world elephant). Each of these deities has an elephant that takes part in the defense and protection of its respective quarter. Chief among them is Airavata of Indra. There is a reference to Airavata in the Bhagavad Gita:
Angan Ke Par Dwar (pronounced [ã.gən ke par dwa.rə]; transl. Door Beyond the Courtyard) is a 1961 poetry collection by Sachchidananda Vatsyayan, generally known by his pen-name, Agyeya. The book received the Sahitya Akademi Award in 1964.