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Mogambo is a 1953 Technicolor adventure/romantic drama film directed by John Ford and starring Clark Gable, Ava Gardner, and Grace Kelly, and featuring Donald Sinden.Shot on location in Equatorial Africa, with a musical soundtrack consisting entirely of actual African tribal music recorded in the Congo, the film was adapted by John Lee Mahin from the play Red Dust by Wilson Collison.
An example is the Tagalog word libre, which is derived from the Spanish translation of the English word free, although used in Tagalog with the meaning of "without cost or payment" or "free of charge", a usage which would be deemed incorrect in Spanish as the term gratis would be more fitting; Tagalog word libre can also mean free in aspect of ...
The mocambos (from mocambo, literally Huts) were village-sized communities mainly of runaway slaves in colonial Brazil, during Portuguese rule. A mocambo differed from a quilombo in size; a quilombo, like the Quilombo dos Palmares, might embrace many distinct mocambos. The terms were not always used consistently, however.
A pair of legendary club gigs that the Rolling Stones did in 1977, oft-bootlegged over the decades, will finally get its official release May 13, as “Live at the El Mocambo” arrives as a two ...
The four-LP vinyl version of “El Mocambo” will come in two variants, black and a “neon” version with the discs in different hues. The full rundown of tracks: 1. Honky Tonk Women (Live at ...
A mocambo is typically much smaller than a quilombo. "Quilombo" was not used until the 1670s, primarily in the more southerly parts of Brazil. [2] In the Spanish-speaking countries of Latin America, such villages or camps were called palenques. Its inhabitants are palenqueros. They spoke various Spanish-African-based creole languages such as ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Live at the El Mocambo may refer to: Live at the El Mocambo ...
El Mocambo 1977 received a score of 86 out of 100 based on nine critics' reviews at review aggregator Metacritic, indicating "universal acclaim". [3] Doug Collette of All About Jazz summarized the album as "recordings worth waiting for all these forty-five years since they happened" and felt that it is "quite conceivable that, in fairly short order, this title will become the go-to choice for ...