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Motif description is the term that has been used for a form of dance notation; however, the current preferred terminology is Motif Notation. It is a subset and reconception of Labanotation sharing a common lexis .
The American Dance Therapy Association was founded in 1966 as an organization to support the emerging profession of dance/movement therapy and is the only U.S. organization dedicated to the profession of dance/movement therapy. [21] Dance has been used therapeutically for thousands of years.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban , which was developed and extended by Lisa Ullmann , Irmgard Bartenieff , Warren Lamb and others.
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British psychotherapist Paul Newham using Expressive Therapy with a client. The expressive therapies are the use of the creative arts as a form of therapy, including the distinct disciplines expressive arts therapy and the creative arts therapies (art therapy, dance/movement therapy, drama therapy, music therapy, writing therapy, poetry therapy, and psychodrama).
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with ...
Dance/movement therapy has been a distinct profession since the 1940s. [3] The pioneers of the movement saw the relationship of how the body and mind interact in health and in illness . [ 3 ] [ 4 ] Whether it be an illness of the mind which affects the body, or an illness of the body that impacts the mind and spirit, these early therapists saw ...
Laban Movement Analysis categorizes human movement based on the duration of time and tempo changes, the contraction and expansion of limbs and the tension and dynamics of movement. In an experiment, subjects viewed 20 videos of dancers performing the same dance attempting to convey anger, fear, grief or joy.