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A charro or charra outfit or suit (traje de charro, in Spanish) [1] is a style of dress originating in Mexico and based on the clothing of a type of horseman, the charro. The style of clothing is often associated with charreada participants, mariachi music performers, Mexican history, and celebration in festivals. The charro outfit is one that ...
The making of traditional huipils is an important cultural and economic activity for the Amuzgos, especially in Xochistlahuaca where most people still wear traditional clothing. Girls begin learning the craft when they are young, learning techniques and designs from their mothers and grandmothers.
Most pre-Hispanic forms of dress and body adornment were banned by the Spanish as "uncivilized." Indigenous, European and Asian fabrics influenced Mexican cloth production by the mid colonial period. [1] [2] The Spanish did not favor the native cotton, nor did they find the material produced on traditional backstrap looms wide enough. New ...
In ancient dress, a Tilma, was a part of a man's dress, usually made of cotton and worn by the upper-class. [2] However, it is evident that in contemporary dress, a Rebozo (also called Sarape or Gabán) is a shawl worn by women and heavily influenced by the Tilma. Many of the key aspects and characteristics of older attire serve as a template ...
The most prevalent and influential aspect of women's clothing in ancient times is the huipil, which is still prominent in Guatemalan and Mexican culture today. The huipil is a loose rectangular garment with a hole in the middle for the head made from lightweight sheer cotton.
A Mexican fandango from the 19th century. In the image a china woman can be seen dancing with her characteristic fine attire, to the sound of a harp.. The fashion design of the china poblana dress is attributed to Catarina de San Juan, although it certainly incorporates elements from the diverse cultures that were mixed in New Spain during three centuries of Spanish rule.
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]
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