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Arabella Fermor, a 19th-century print after Sir Peter Lely's portrait of her. The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope. [1] One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's Miscellaneous Poems and Translations (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in ...
A Song of War and Victory (1905) On the Sea Shore (1908, orch. 1984) Festival Overture (1911, revised 1918) Dance of Wild Irravel (1912) Four Orchestral Pieces (1912–13) Three Pieces for Small Orchestra (1913, revised 1928) Symphonic Scherzo (1917, revised 1933) Russian Suite (1919) Mediterranean (1922) Cortège (1925) Romantic Overture (1926)
Renard: Histoire burlesque chantée et jouée / The Fox: A burlesque in song and dance / Reinecke: Gesungene und Gespielte Burleske, miniature score, text in Russian, French, and German. London: J. & W. Chester Ltd., 1917. Stravinsky, Igor. Poetics of Music in the Form of Six Lessons. English translation by Arthur Knodell and Ingolf Dahl ...
From sentimental, slow dance tunes to upbeat dance tracks that will get the crowd going, here are our top picks for mother-son dance songs for weddings. 67 Father-Daughter Songs That Just Might ...
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Eric Henderson of Slant Magazine called the song "nasty, buzzing bump-and-grind" and "a bionic 'Lady Marmalade'". [12] Blogcritics thought that "Express", among with "Show Me How You Burlesque" are the two songs that "work better in the context of the movie, where the elaborate visuals help distract from their lack of melody and strong hooks". [13]
Alabamy Bound", one of many 'olio' song & dance numbers, early 1960s. An olio is a vaudeville number, a short dance or song, or a set of same, performed as an encore after the performance of a dramatic play. The term can also refer to a set of such performances, or to the curtain used during the set.
Burlesque can be used to describe particular movements of instrumental musical compositions, often involving dance rhythms. Examples are the Burlesca, in Partita No. 3 for keyboard (BWV 827) by Bach, the "Rondo-Burleske" third movement of Symphony No. 9 by Mahler, and the "Burlesque" fourth movement of Shostakovich's Violin Concerto No. 1. [20]