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A revised edition, known as the Nova Bíblia de Jerusalém (cf. New Jerusalem Bible) appeared in 2002. A commission led by the Franciscan Ludovico Garmus produced in 1982 a complete Bible, published by Vozes, and another translation was provided by the Santuário publishing house in the same year.
Casa Publicadora das Assembléias de Deus (CPAD; Portuguese for Publishing House of the Assemblies of God) is a Brazilian Christian publishing house. Its activities officially began in March 1940, when it gave its legal organization in the city of Rio de Janeiro.
Casa de Dios is a church in Guatemala. [citation needed] The church is led by Pastors Carlos "Cash" Luna and Sonia Luna. As of 2011 Casa de Dios was attended by over 25,000 people. The church services are aired on Enlace TBN's programs "Casa de Dios" and "Noches de Gloria". [1]
Cash Luna was born into a Catholic household. His parents divorced when he was young and he grew up with his mother. At age 20, Luna became a born-again Christian. [1] He studied at the Universidad Francisco Marroquín, where he graduated with cum laude honors and holds a bachelor's degree in Information Systems Management.
God's Comedy (Portuguese: A Comédia de Deus) is a 1995 Portuguese film by João César Monteiro. It is the second part in a trilogy, preceded by Recordações da Casa Amarela (1989) (Recollections of the Yellow House) and followed by As Bodas de Deus (1999) (Houses of God). God is symbolized through the character João de Deus (lit.:
Known in English as City of God, Cidade de Deus is the eponymous name of a 1997 semi-autobiographical novel by Paulo Lins, about three young men and their lives of petty crime during the 1960s, 1970s and 1980s in the favela where Lins grew up. An English translation by Alison Entrekin was published in 2006.
Madre de Deus (Mother of God; also called Mãe de Deus and Madre de Dios, referring to Mary) was a Portuguese ocean-going carrack, renowned for her capacious cargo and provisions for long voyages. She was returning from her second voyage East under Captain Fernão de Mendonça Furtado when she was captured by the English during the Battle of ...
It closes the trilogy focused on the character of João de Deus, the protagonist, embodied in a poor devilish human good, with repeated autobiographical references, in a sarcastic and moody style. The intended result is to draw a caricature of someone less virtuous than vicious, author and actor of unqualified comedies in a hypocritical world ...