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A boom operator onboard a JL Fisher camera dolly with boom pole fully extended A "dead wombat" or "dead cat" (left) and "dead kitten" (right) wind-attenuating microphone covers Often in television studios, the boom operator will use a Fisher boom, which is a more intricate and specialized piece of equipment on which the operator stands ...
A number of accessories make microphone stands more useful. Most of these are designed to get the microphone closer to the user without placing the upright portion of the stand directly in front of the performer. A "boom arm" attaches to the top of the stand so the microphone can move in the horizontal plane. A guitar player, for example, might ...
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
A lavalier microphone mounted on a T-shirt. A lavalier microphone or lavalier (also known as a lav, lapel mic, clip mic, body mic, collar mic, neck mic or personal mic) is a small microphone used for television, theater, and public speaking applications to allow hands-free operation.
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The Turner Microphone Company was an American manufacturer of microphones in Cedar Rapids, Iowa from 1931 to 1979. Turner operated as a small company but produced and sold many well made but modestly priced microphones. [1] Many of the microphones they produced were general purpose bullet-style microphones and CB radio communications microphones.
It consisted of a microphone in one location and a remote listening post with a speaker that could also be recorded using a phonograph. While also marketed as a device that allowed broadcasting of sounds, or dictating text from one room to a typist in another, it was used in several criminal investigations.
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