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Gendang beleq is a dance and music performance from Lombok island, Indonesia. [1] It is a popular performance among the native Sasak people.. The name gendang beleq is a Sasak language term, which means "big drum (big gendang)", [2] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum (gendang) players.
Gendang Beleq dance is a sacred folk dance tradition of the Sasak people [1] of Lombok, West Nusa Tenggara, Indonesia. [2] This dance performance is usually accompanied by big drums, called gendang beleq. [3] Gendang beleq can be performed during life-cycle ceremonies, such as celebration of birth, circumcision, wedding and funeral.
There is a possibility that the origin of the name Sasak came from the word sak-sak, which means "boat".In the Nagarakretagama, the word Sasak is mentioned together as one with Lombok Island, namely Lombok Sasak Mirah Adhi.
Gendang beleq is a traditional music from Lombok island, Indonesia. The name gendang beleq is a Sasak language term, which means " big drum (big gendang ) ", [ 16 ] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum ( gendang ).
The term dangdut is an onomatopoeia for the sound of the tabla (also known as gendang) drum, which is written dang and ndut. [ 10 ] [ 11 ] Putu Wijaya initially mentioned in the 27 May 1972 edition of Tempo magazine that the doll song from India was a mixture of Malay songs, desert rhythms, and Indian "dang-ding-dut".
The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India.One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple.
Balinese people preserve cultural arts with their percussion instrument. Etymologically, the word 'kompang' is absorbed from the Javanese: ꦏꦺꦴꦩ꧀ꦥ꧀ꦭꦁ, romanized: komplang which means "empty" or "hollow", this refers to the shape of the kompang musical instrument itself which has a hollow part (on the back that is not covered with skin) so that it can produce loud sounds when hit.
Malay Gamelan developed in conjunction with Malay Joget Gamelan. In the mid-18th century, a team of court dancers and musicians was sent from central Java to the island of Penyengat, the royal island capital of the Riau-Lingga empire (present-day Indonesia).