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"How Not to Be Seen" is regarded as one of Monty Python's signature routines, with the "growing menace" of the "bodiless authoritarian figure" lending it the air of "the leisure activity of a lunatic god." [2] Its format has been occasionally parodied, most prominently in a 2005 YouTube Machinima using graphics from the game Battlefield 2. [3]
Vanya and Zina's perception of the circus performance is also built on the level of a moment, but the spontaneity of their reactions and associations ("And that one looks like - no, really, Vanya - / Like my brother-in-law - such a drunk") is naive and ridiculous — the characters are able to evaluate art purely through "their own everyday life".
How Not to Be Seen" (originally seen in Series 2, Episode 11 of Monty Python's Flying Circus): A parody of a government film which first displays the importance of not being seen, then devolves into various things being blown up, much to the amusement of the narrator (John Cleese). The narrator eventually composes himself, says "And now for ...
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Parade de cirque (English: Circus Sideshow) is an 1887-88 Neo-Impressionist painting by Georges Seurat. It was first exhibited at the 1888 Salon de la Société des Artistes Indépendants (titled Parade de cirque , cat. no. 614) in Paris, where it became one of Seurat's least admired works.
He has been called the "Picasso" of circus art. [2] Fred Johnson, one of nine boys in a Chicago family, was employed at age 14 as an errand boy by the United States Tent & Awning Co. of Chicago, but was soon dismissed for neglecting his work to play baseball. He was hired by banner painter Harry Carlton Cummins to clean equipment and tack up ...
The Amazing Digital Circus is an Australian adult independent animated web series created, written, and directed by Gooseworx and produced by Glitch Productions.The series follows a group of humans trapped inside a circus-themed virtual reality game, where they are overseen by an erratic artificial intelligence while coping with personal traumas and psychological tendencies.
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