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Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life. [3] [4]
Tattoos hold rich historical and cultural significance as permanent markings on the body, conveying personal, social, and spiritual meanings. However, religious interpretations of tattooing vary widely, from acceptance and endorsement to strict prohibitions associating it with the desecration of the sacred body.
While the tradition itself originates with indigenous tribal animism, it became closely tied to the Hindu-Buddhist concept of yantra or mystical geometric patterns used during meditation. Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam tattoos of India. For these people, religion is closely tied to ...
Once taboo, and a sign of rebellion, tattoos are now much more widely accepted. Body art has become hugely popular. But so too has tattoo remorse. A 2023 survey found that 1 in 4 Americans regret ...
A two coil tattoo machine. Some tribal cultures traditionally created tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents; some cultures continue this practice, which may be an adjunct to scarification. Some cultures create tattooed marks by hand-tapping the ink into the skin using sharpened ...
Variously described as having the body of a snake and the head of a fish, a whirlpool or a river dragon, the Nyami Nyami is seen as the god of Zambezi Valley and the river before the creation of the Kariba Dam. He is regularly depicted as a snake-like being or dragon-like creature with a snake's torso and the head of a fish. [1]
Baiga tribe women in India is known for their art of tattooing or Godna Baiga leg tattoos It is believed that the ancestors of the Baigas spoke an Austroasiatic language , however no trace of it is left now.
Simultaneously, the sides of the boat are decorated to resemble the body of serpentine dragon, thereby looking like the features of deity Pakhangba. [ 8 ] : 85 In the post- Khagemba era, representations of Pakhangba in the form of a paphal (a coiled serpent or dragon biting its own tail, similar to an oubouros became prominent.