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Agate is also still used today for decorative displays, cabochons, beads, carvings and Intarsia art as well as face-polished and tumble-polished specimens of varying size and origin. Idar-Oberstein was one of the centers which made use of agate on an industrial scale. Where in the beginning locally found agates were used to make all types of ...
The name agateware is derived from the agate stone, which when sliced shows multicolored layers. This pottery technique allows for both precise and thought out patterns, and free random effects. This pottery technique allows for both precise and thought out patterns, and free random effects.
The Manning, Bowman & Co. (1849-1945) was formed in Meriden, Connecticut, and over the years produced granite iron and pearl agate ware, electro-silver and nickel-plated ware, britannia and planished goods. [2] [3]
Detail: the ancient agate bowl Detail: ivory plaque. The ambon has a trefoil floorplan. The wall of the central portion is divided into nine rectangles decorated with lacquer by borders of filigree and precious stones (only one of these borders is original), five of which have a crux gemmata in the shape of a Greek cross.
The Holy Chalice of Valencia is an agate dish with a mounting for use as a chalice. The bowl may date to Greco-Roman times, but its dating is unclear, and its provenance is unknown before 1399, when it was gifted to Martin I of Aragon. By the 14th century, an elaborate tradition had developed that this object was the Last Supper chalice.
Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones (and sometimes gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way. [1] [2] Normally the objects are small, and the category overlaps with both jewellery and ...
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A group of over 15 kilns at the village of Qingliangsi, Baofeng County, Henan have been identified as the site manufacturing Ru ware. They were first identified in 1950, [24] and in 1977 the ceramic art historian Ye Zhemin found a sherd on the site which when analysed proved identical to a Ru ware sample in Beijing. [25]
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