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Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
The Parable of the Rich Fool (1627) by Rembrandt. The Parable of the Rich Fool, also known as The Money Changer, [1] is an oil painting on canvas of 1627 by Rembrandt, now in the Gemäldegalerie, Berlin. [2] Produced early in the artist's career, it depicts the eponymous Biblical parable. The model for the figure is said to have been Rembrandt ...
Academic study of Rembrandt's life and work; or the history of the reception and interpretation of Rembrandt's art Subcategories This category has only the following subcategory.
The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers)—as an academic field in its own right with several noted Rembrandt connoisseurs and scholars—has been one of the most dynamic research areas of Netherlandish art history.
The field of Rembrandt studies (i.e. study of Rembrandt's life and work) — as an academic field in its own right with many noted Rembrandt scholars — has been very dynamic and well published since the Dutch Golden Age. The following is a list of notable Rembrandt experts (e.g. connoisseurs and scholars). Filippo Baldinucci; Adam Bartsch ...
The painting, in vertical format, shows a close-up view of Christ's disciples struggling frantically against the heavy storm to regain control of their fishing boat. A huge wave beats the bow and rips the sail. One of the disciples is seen vomiting over the side. Another one, looking directly at the viewer, is a self-portrait of the artist.
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
In fact, nothing is known of the earlier provenance of the Koninck, or which of the two paintings he acquired first. Assuming that it was the Rembrandt, Anne Leclair notes that: "At an unknown date, Voyer acquired a second 'Philosopher" that he deemed close enough in style and format to make it a pendant". [17]