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Music licensing is the licensed use of copyrighted music. [1] Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. A purchaser has limited rights to use the work without a separate agreement.
RF licenses can not be given on an exclusive basis. In stock photography, RF is one of the common licenses sometimes contrasted with Rights Managed licenses and often employed in subscription-based or microstock photography business models. [1] When something has a royalty-free descriptor, that does not mean it is free.
Another point of negotiation is whether the sync license constitutes a "buyout" (i.e. whether or not the entity that will ultimately broadcast the production will be required to pay "backend" (performance royalty) fees). [5] Sync licensing fees can range anywhere from free, to a few hundred dollars, to millions of dollars for popular recordings ...
This table lists for each license what organizations from the FOSS community have approved it – be it as a "free software" or as an "open source" license – , how those organizations categorize it, and the license compatibility between them for a combined or mixed derivative work. Organizations usually approve specific versions of software ...
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
The Free Music Philosophy [1] generally encourages creators to free music using whatever language or methods they wish. A Free Music Public License (FMPL) [2] is available for those who prefer a formal approach. Some free music is licensed under licenses that are intended for software (like the GPL) or other writings (the GFDL).
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There is a minimum annual fee of $500 per channel or station, payable in advance, against the above per-play fees. For example, under the 2007 rate, 100 unique listeners of a transmission of a sound recording will cost the transmitter eleven cents.
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