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Dargomyzhsky's setting of the poem. "I Loved You" (Russian: Я вас любил - Ya vas lyubíl) is a poem by Alexander Pushkin written in 1829 and published in 1830. It has been described as "the quintessential statement of the theme of lost love" in Russian poetry, [1] and an example of Pushkin's respectful attitude towards women.
Marína is the name of a Slovak romantic poem by Andrej Sládkovič (Andrej Braxatoris) written in 1844 and published 2 years later in 1846 in Pest. It is his most significant poem, also translated to German, Polish, Hungarian and French. [1] Marína has 291 stanzas and 2900 lines. It is the longest love poem in the world. [2]
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
The vernacular poetry of the romans courtois, or courtly romances, included many examples of courtly love. Some of them are set within the cycle of poems celebrating King Arthur 's court. This was a literature of leisure, directed to a largely female audience for the first time in European history.
Title page of the first quarto (1593). Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication. The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting.
Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. [2] The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century femme fatale ...
Spanish devotional poetry adapted the lyric for religious purposes. Notable examples were Teresa of Ávila, John of the Cross, Sor Juana Inés de la Cruz, Garcilaso de la Vega, Francisco de Medrano and Lope de Vega. Although better known for his epic Os Lusíadas, Luís de Camões is also considered the greatest Portuguese lyric poet of the period.