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The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
12 Bar Blues. (album) 12 Bar Blues is the debut solo album from Scott Weiland and produced by Blair Lamb. Scott was a founding member and singer for Stone Temple Pilots. 12 Bar Blues 's sound and style differ greatly from STP's previous releases. The design concept of the cover is a homage to the cover design of John Coltrane's Blue Train album.
e. Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and ...
Freddie Freeloader. " Freddie Freeloader " is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ...
Willie Dixon. " I Can't Quit You Baby " is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. [1] It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end. "I Can't Quit You Baby" was Rush's first recording and Cobra ...
The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the ... subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are ...
Tutti Frutti (song) "Tutti Frutti" (Italian for "all fruits") is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!" (a verbal rendition of a drum pattern that Little Richard had imagined), [2] and its hard ...
Musically, however, there are differences in the recorded versions. Charlie Segar's original "Key to the Highway" was performed as a mid-tempo twelve-bar blues. [3] When Jazz Gillum recorded it later that year with Broonzy on guitar, he used an eight-bar blues arrangement [1] (May 9, 1940 Bluebird B 8529).