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The berberisca dress or keswa-el-kbira (Arabic: الكسوة الكبيرة, 'the grand gown') is a traditional dress for a Moroccan Jewish woman for her wedding. Traditionally a father gifts his daughter a berberisca dress for her wedding and the first time she wears it is at the henna ceremony.
Muhammad objected to animal designs, perhaps embroidered, he saw on cushions when visiting his wife Aisha's house. [a] These types of design largely disappeared under Islam, though plant-based motifs often remained acceptable. The 17th century Turkish traveller Evliya Çelebi called embroidery the "craft of the two hands". [3]
English: Description: This elaborate eight-piece costume is an example of the traditional festive dress of Moroccan Jewish women, worn by brides and at other celebrations. It is probably based on medieval Spanish Jewish costume, with its origins usually traced to the 15th century Spanish vertugada (hoop skirt, known as a "farthingale" in England).
In Old Palestine, the henna night was a night used to prepare all the necessary wedding decorations and last-minute arrangements. It was also a chance for the families to celebrate together before the wedding. The groom's family would sahij, or dance, through the streets of the village until they reached the house of the bride. Once there, the ...
The berberisca dress (or keswa-el-kbria in Arabic) is a traditional dress for a Moroccan Jewish woman for her wedding. Although most Moroccan Jews tend to dress in styles of their adopted countries, traditional Moroccan clothing is sometimes worn during celebrations (Mimouna, weddings, Bar Mitzvas, etc.) or even during more intimate gatherings ...
Modern Standard Arabic and Standard Moroccan Berber are the official languages of Morocco, [14] while Moroccan Arabic is the national vernacular dialect; [15] Berber languages are spoken in some mountain areas, such as Tarifit, spoken by 3.2%, Central Atlas Tamazight, spoken by 7.4%, and Tashelhit, spoken by 14.2%.
[1]: 414–415 Zellij is found in modern buildings making use of traditional designs such as the Hassan II Mosque in Casablanca which adds a new color palette with traditional designs. [7] The influence of zellij patterns was also evident in Spanish tiles produced during the Renaissance period and is seen in some modern imitations painted on ...
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques, with which they are often combined, to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework ...
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