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The most comprehensive primary source on Van Gogh is his correspondence with his younger brother, Theo.Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8]
Van Gogh's drawing of 87 Hackford Road. In July 1869, Van Gogh's uncle, “Cent” Van Gogh, helped him obtain a position with the art dealer Goupil & Cie in The Hague.After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton, [1] and worked at Messrs. Goupil & Co., 17 Southampton Street. [2]
According to Jacquelyn N. Coutré, associate curator of paintings and sculptures of Europe at the Art Institute of Chicago, after The Van Gogh Museum in Amsterdam acquired Ponton de la Félicité by Signac in 2016, which was the work that inspired van Gogh to venture to the suburbs to paint, The Van Gogh Museum was prompted to create an exhibit ...
These legendary artists were all inspired by the French painter
Johanna van Gogh-Bonger (1862–1925), the artist's sister-in-law, of Amsterdam sold the painting in November 1890 through Julien Tanguy Gallery, Paris to the Danish art dealer, Willy Gretor. Five paintings that were sold by Johanna became part of the National Gallery of Art collection. Willy Gretor gifted the painting to Maria Slavona, a ...
Van Gogh Museum says of Millet's influence on Van Gogh: "Millet's paintings, with their unprecedented depictions of peasants and their labors, mark a turning point in 19th-century art. Before Millet, peasant figures were just one of many elements in picturesque or nostalgic scenes. In Millet's work, individual men and women became heroic and real.
The painting, and even the frame, are in shades of yellow, ocher and brown. The painting also has highlights in pink, red, green and blue. A fine example of an Impressionist painting, Van Gogh dedicated the painting to his brother Theo for his guidance and introduction to modern art. [27]
The painting shows Van Gogh working in what he called “The Yellow House,” and it includes recognizable features of other notable works. [6] For example, the blue walls in the painting are also visible in Van Gogh’s Bedroom in Arles, and the chair Van Gogh is seated in is likely the same as the one depicted in the painting Van Gogh’s ...
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