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The Ḥasba and the Qasma represent the methods of constructing pure Moroccan geometric patterns. [4] These methods are not only used for Tazouaqt, but they are used to draw geometric patterns for all other traditional arts: carved wood, plaster, stone or marble, chiseled or engraved metal, zellige , etc. [ 4 ] [ 5 ] Depending on the surface to ...
[1]: 414–415 Zellij is found in modern buildings making use of traditional designs such as the Hassan II Mosque in Casablanca which adds a new color palette with traditional designs. [7] The influence of zellij patterns was also evident in Spanish tiles produced during the Renaissance period and is seen in some modern imitations painted on ...
The berberisca dress or keswa-el-kbira (Arabic: الكسوة الكبيرة, 'the grand gown') is a traditional dress for a Moroccan Jewish woman for her wedding. Traditionally a father gifts his daughter a berberisca dress for her wedding and the first time she wears it is at the henna ceremony.
English: Description: This elaborate eight-piece costume is an example of the traditional festive dress of Moroccan Jewish women, worn by brides and at other celebrations. It is probably based on medieval Spanish Jewish costume, with its origins usually traced to the 15th century Spanish vertugada (hoop skirt, known as a "farthingale" in England).
Modern Standard Arabic and Standard Moroccan Berber are the official languages of Morocco, [14] while Moroccan Arabic is the national vernacular dialect; [15] Berber languages are spoken in some mountain areas, such as Tarifit, spoken by 3.2%, Central Atlas Tamazight, spoken by 7.4%, and Tashelhit, spoken by 14.2%.
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques, with which they are often combined, to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework ...
Islamic geometric patterns are derived from simpler designs used in earlier cultures: Greek, Roman, and Sasanian. They are one of three forms of Islamic decoration , the others being the arabesque based on curving and branching plant forms, and Islamic calligraphy ; all three are frequently used together.
In the traditional Moroccan craft of zellij-making, the tiles are first fabricated in glazed squares, typically 10 cm per side, then cut by hand into a variety of pre-established shapes (usually memorized by heart) necessary to form the overall pattern. [17]
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