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A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Act 5, Scene 3, in which Romeo fights and eventually kills Paris outside Juliet's crypt, was filmed but deleted from the final print. [13] According to Leonard Whiting and Roberto Bisacco , Zeffirelli cut the scene because he felt it unnecessarily made Romeo less sympathetic.
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
5 Capulet's orchard and Juliet's chamber. 252 IV 1 Friar Lawrence's cell. 127 IV 2 A hall in Capulet's house. 49 IV 3 Juliet's chamber. 59 IV 4 A hall in Capulet's house. 32 IV 5 Juliet's chamber. 140 V 1 Mantua. A street. 89 V 2 Friar Lawrence's cell. 30 V 3 A churchyard; before a tomb belonging to the Capulets. 320
A judge on Thursday said she will throw out a lawsuit over a nude scene in the 1968 version of “Romeo and Juliet,” after finding that the film is protected by the First Amendment.
A mock-Victorian revisionist version of Romeo and Juliet ' s final scene forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. This version has a happy ending: Romeo, Juliet, Mercutio and Paris are restored to life, and Benvolio reveals he is Paris' love, Benvolia, in disguise. [16]
Romeo and Juliet: the Tomb Scene is a painting by Joseph Wright of Derby, completed by 1790, exhibited in 1790 and 1791, shown in the Derby Exhibition of 1839 in the Mechanics' Institute, and now displayed in Derby Museum and Art Gallery. The painting exhibits Wright's famed skill with nocturnal and candlelit scenes.