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2. Voice leading - Wikipedia

   en.wikipedia.org/wiki/Voice_leading

   Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]

3. Carl Schachter - Wikipedia

   en.wikipedia.org/wiki/Carl_Schachter

   New edition (1st 1969). Columbia University Press, 1989. Unfoldings. Essays in Schenkerian Theory and Analysis. Oxford University Press, 1999. The Art of Tonal Analysis. Twelve Lessons in Schenkerian Theory. J. N. Strauss ed. Oxford University Press, 2016. With Edward Aldwell and Allen Cadwallader. Harmony and Voice leading. Cengage, 2019.

4. Partimento - Wikipedia

   en.wikipedia.org/wiki/Partimento

   (Fenaroli Partimento Fugue 8, Book 5, Gj1418) A Partimento (from the Italian: partimento , plural partimenti ) is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard. [ 1 ]

5. Harmonization - Wikipedia

   en.wikipedia.org/wiki/Harmonization

   the third note the iii minor chord, the fourth note the IV major chord, the fifth note the V major chord (or even a dominant 7th), the sixth note the vi minor chord, the seventh note the vii diminished chord and; the octave would be a I major chord. Using the minor (aeolian mode) one would have: i minor, ii diminished, (♭)III major, iv minor ...

6. List of shape-note tunebooks - Wikipedia

   en.wikipedia.org/wiki/List_of_shape-note_tunebooks

   Northern Harmony, Larry Gordon & Anthony G. Barrand (1979; 5th edition 2012) An American Christmas Harp, Karen E. Willard. Puyallup, Washington (1994; 3rd ed. 2009) [2] An Eclectic Harmony, Eclectic Harmony Music Committee, Liz Bryant, chair. Atlanta, (1999) Oberlin Harmony, Chloe Maher and Charles Wells (2002) High Desert Harmony, Daniel Davis.

7. Harmony - Wikipedia

   en.wikipedia.org/wiki/Harmony

   Subordinate harmony is the hierarchical tonality or tonal harmony well known today. Coordinate harmony is the older Medieval and Renaissance tonalité ancienne, "The term is meant to signify that sonorities are linked one after the other without giving rise to the impression of a goal-directed development. A first chord forms a 'progression ...

8. Neo-Riemannian theory - Wikipedia

   en.wikipedia.org/wiki/Neo-Riemannian_theory

   Later, Cohn pointed out that neo-Riemannian concepts arise naturally when thinking about certain problems in voice leading. [6] [7] For example, two triads (major or minor) share two common tones and can be connected by stepwise voice leading the third voice if and only if they are linked by one of the L, P, R transformations described above. [8]

9. Parallel harmony - Wikipedia

   en.wikipedia.org/wiki/Parallel_harmony

   Parallel harmony is frequently used in house music and other electronic music genres. Historically, this resulted from producers sampling chords from soul or jazz and then playing them at different pitches, or using "chord memory" feature from classic polyphonic synthesizers.