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Arnold Schoenberg or Schönberg [a] (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motives as a means of coherence.
In music, consonance and dissonance are categorizations of simultaneous or successive sounds.Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. [1]
The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg and others, including his pupil Anton Webern, who styled it The Path to the New Music. The phrase first appears in Schoenberg's 1926 essay "Opinion or Insight?". [1] It may be described as a metanarrative to justify atonality.
A graduate of the Saint Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos.
This is an accepted version of this page This is the latest accepted revision, reviewed on 6 February 2025. American composer and conductor (born 1932) This article is about the composer. For other people named John Williams, see John Williams (disambiguation). John Williams Williams in 2024 Born John Towner Williams (1932-02-08) February 8, 1932 (age 93) New York City, U.S. Occupations ...
Other composers who have used dissonant counterpoint, if not in the exact manner prescribed by Charles Seeger, include Johanna Beyer, John Cage, Ruth Crawford-Seeger, Vivian Fine, Carl Ruggles, Henry Cowell, Carlos Chávez, John J. Becker, Henry Brant, Lou Harrison, Wallingford Riegger, and Frank Wigglesworth.
Overwhelmingly serious in tone, often dissonant, his music rises to ferocious climaxes, relieved, especially in his later works, by lyrical oases ("lyrische Inseln "). [53] [18] [54] Pettersson's music has a very distinctive sound and can hardly be confused with that of any other 20th-century composer. [55]
Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in film scoring.As a conductor, he championed the music of lesser-known composers.