Search results
Results from the WOW.Com Content Network
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe. In the canntairached method of instruction, the teacher sings or hums the tune to the pupil ...
The earliest known description of such an instrument in Britain is in the Talbot manuscript [7] from about 1695. The descriptions of bagpipes mentioned in this early source are reproduced in [8] One of these instruments was a bellows-blown 'Bagpipe, Scotch', with three drones, whose keyless chanter had a one-octave range from G to g, with each note being sounded by uncovering a single hole, as ...
Further, an important difference between the music of the Border pipes and of the Great Highland bagpipe is that many melodic figures in older Border pipe music typically move stepwise or in thirds rather than by wide intervals, and lack the multiple repeated notes found in many Highland pipe tunes. This suggests that in contrast to the ...
Highland bagpipe music is written in the key of D major, where the C and F are sharp (despite the key-signature usually being omitted from scores), however only some tunes are in D major. Due to the lack of chromatic notes , to change key is also to change modes; tunes are in A Mixolydian (most commonly), D major , B minor , or occasionally E ...
The chanter's tonic is played with the top six holes and the thumb hole covered by fingers. Starting at the bottom and (in the Galician fingering pattern) progressively opening holes creates the diatonic scale. Using techniques like cross-fingering and half-holing, the chromatic scale can be created. With extra pressure on the bag, the reed can ...
Reel pipes (also known as a half set, kitchen or parlour pipes) are a type of bagpipe originating in England and Scotland. These pipes are generally a scaled-down version of the large Great Highland pipes. Reel pipes are generally quieter than the Great Highland pipes, so suitable for indoor play.
A bagpipe practice chanter is a double-reed woodwind instrument, principally used as an adjunct to the Great Highland bagpipe. As its name implies, the practice chanter serves as a practice instrument: firstly for learning to finger the different melody notes of bagpipe music, and (after a player masters the bagpipes) to practice new music.
Bellows-blown bagpipe with keyed or un-keyed 2-octave chanter, 3 drones and 3 regulators. The most common type of bagpipes in Irish traditional music. Great Irish Warpipes: One of the earliest references to the Irish bagpipes comes from an account of the funeral of Donnchadh mac Ceallach, king of Osraige in AD 927. [1]