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The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
Art. The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [146] [147] [148] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity, to a dove, to a flame.
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Outside of baptism, water may represent cleansing or purity. Fire, especially in the form of a candle flame, represents both the Holy Spirit and light. These symbols derive from the Bible; for example from the tongues of fire [27] that symbolized the Holy Spirit at Pentecost, and from Jesus' description of his followers as the light of the ...
The "New Testament Trinity" depicts the Father, the Son and the Holy Spirit distinctly, and although far more familiar from Western models, is actually of Greek origin. Christ may be shown either as an adult, (in this case he is sitting to the right of his Father) or as an infant sitting on his Father's knees, which is the norm in early Greek ...
Free Methodist Church logo. In the Free Methodist Church, the cross and flame logo is used to symbolize the "Holy Spirit spreading across the entire world". [4] The globe (on which the cross and flame are superimposed) alludes to John Wesley's dictum for Methodist believers: "The world is my parish" representing the missional purpose of the Church. [11]
In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla.