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Titus Maccius Plautus [1] (/ ˈ p l ɔː t ə s /, PLAW-təs; c. 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety.
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
A number of Latin translations of modern literature have been made to bolster interest in the language. The perceived dryness of classical literature is sometimes a major obstacle for achieving fluency in reading Latin , as it discourages students from reading large quantities of text ( extensive reading ).
The book consists of a prologue, 112 brief satires, and an epilogue, all illustrated with woodcuts. [4] Brant takes up the ship of fools trope, popular at the time, lashing with unsparing vigor the weaknesses and vices of his time. [citation needed] He conceives Saint Grobian, whom he imagines to be the patron saint of vulgar and coarse people.
In "The Fragments of a Journey: The Drama in T. S. Eliot's Sweeney Agonistes," David Galef writes, "Through the play's Greek forms, religious symbolism, and jazz syncopation, critics have perceived Christian themes but more as motifs than as underlying structure: the horror of spiritual awareness amidst modern ignorance, and the trepidation of ...
The prologue also follows up on a debate that went back to among the earliest Christians, concerning the value of pagan literature and knowledge. The prologue takes the argument that not only were the pagans in some respects capable of virtue, but that because they were, the Christian must be evermore a reflection of a virtuous life.
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Before any modern editions of the Prose Tristan were attempted, scholars were dependent on an extended summary and analysis of all the manuscripts by Eilert Löseth in 1890 (republished in 1974). Of the modern editions, the long version is made up of two editions: one edited by Renée L. Curtis and the other by Philippe Ménard.