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Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
Similar colored fringing around highlights may also be caused by lens flare. Colored fringing around highlights or dark regions may be due to the receptors for different colors having differing dynamic range or sensitivity – therefore preserving detail in one or two color channels, while "blowing out" or failing to register, in the other ...
The artifacts are especially common with compact or ultra-compact cameras, where the short distance between the lens and the built-in flash decreases the angle of light reflection toward the lens, directly illuminating the aspect of the particles facing the lens and increasing the camera's ability to capture the light reflected from normally ...
Schlieren photography is used to visualise the flows of the media, which are themselves transparent (hence, their movement cannot be seen directly), but form refractive index gradients, which become visible in schlieren images either as shades of grey or even in colour.
Photons interact with an object by some combination of reflection, absorption and transmission. Some materials, such as plate glass and clean water, transmit much of the light that falls on them and reflect little of it; such materials are called optically transparent. Many liquids and aqueous solutions are highly transparent.
Lens flare scheme el.svg; Lens flare scheme pt.svg; This is a retouched picture, which means that it has been digitally altered from its original version.
The majority of black-and-white infrared art, landscape, and wedding photography is done using orange (Wratten #15 or 21), red (#23, 25, or 29) or visually opaque (#72) [d] filters over the lens to block the blue visible light from the exposure. Very dark-red (#29) filters block out almost all blue, and visually opaque (#70, 89b, 87c, 72 ...
dark red, and lens cyan; i.e., green + blue + some red color (poor reds) Same as anachrome, with addition of a weak positive correction lens on the red channel to compensate for the chromatic aberration soft focus of red. Trioscopic: pure green pure magenta; i.e., red + blue color (better reds, oranges and wider range of blues than red/cyan)