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Cē Ācatl Topiltzin Quetzalcōātl [seː ˈaːkat͡ɬ toˈpilt͡sin ket͡salˈkoːʷaːt͡ɬ] (Our Prince One-Reed Precious Serpent) (c. 895–947) is a mythologised figure appearing in 16th-century accounts of Nahua historical traditions, [5] where he is identified as a ruler in the 10th century of the Toltecs— by Aztec tradition their predecessors who had political control of the Valley ...
Austin (et al.) goes into detail explaining the mythical significance of the Quetzalcoatl’s headdress for which the following interpretation is based: the Quetzalcoatl was regarded as the “extractor-bearer” of the forces of time and is being depicted as “transporting time-destiny in the abstract to the surface of the earth”. [12]
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
Among the Aztecs, the name Quetzalcoatl was also a priestly title, as the two most important priests of the Aztec Templo Mayor were called "Quetzalcoatl Tlamacazqui". In the Aztec ritual calendar, different deities were associated with the cycle-of-year names: Quetzalcoatl was tied to the year Ce Acatl (One Reed), which correlates to the year 1519.
Statue of Ehecatl-Quetzalcoatl, in the Brooklyn Museum (New York City) Since the wind blows in all directions, Ehecatl was associated with all the cardinal directions. His temple was built as a cylinder in order to reduce the air resistance, and was sometimes portrayed with two protruding masks through which the wind blew.
The Templo Mayor (English: Main Temple) was the main temple of the Mexica people in their capital city of Tenochtitlan, which is now Mexico City. Its architectural style belongs to the late Postclassic period of Mesoamerica. The temple was called Huēyi Teōcalli [we:ˈi teoːˈkali] [1] in the Nahuatl language.
Angered, Tezcatlipoca turned into a jaguar and destroyed the world. Quetzalcoatl, then, replaced him as the sun and started the second age of the world, and it became populated again. [24] Tezcatlipoca overthrew Quetzalcoatl, forcing him to send a great wind that devastated the world, and the people who survived were turned into monkeys.
An Aztec sculpture of Xiuhcoatl from Texcoco, now in the British Museum [1]. In Aztec religion, Xiuhcōātl [ʃiʍˈkoːaːt͡ɬ] was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli.