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Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
He is widely known for his Elegy Written in a Country Churchyard, published in 1751. [1] Gray was a self-critical writer who published only 13 poems in his lifetime, despite being very popular. He was even offered the position of Poet Laureate in 1757 after the death of Colley Cibber, though he declined. [2]
The "Graveyard Poets", also termed "Churchyard Poets", [1] were a number of pre-Romantic poets of the 18th century characterised by their gloomy meditations on mortality, "skulls and coffins, epitaphs and worms" [2] elicited by the presence of the graveyard. Moving beyond the elegy lamenting a single death, their purpose was rarely sensationalist.
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Some say the best known elegy in English is "Elegy Written in a Country Churchyard," by Thomas Gray, a well-known English poet. This elegy discusses the actual condition of death, not just the death of a single individual. John Milton’s "Lycidas," considered the most famous pastoral elegy, mourns the death of the poet’s good friend Edward King.
Thomas Gray, Elegy Written in a Country Church-Yard, published anonymously, a literary sensation published February 15 by Robert Dodsley in a quarto pamphlet with a preface by Horace Walpole (reprinted in Designes by Mr. R. Bentley 1753 and in Gray's Poems 1768); [1] an important work of the Graveyard poets movement
Thomas Gray was a regular visitor to Stoke Poges, which was home to his mother and an aunt, [75] and the churchyard at St Giles is reputed to have been the inspiration for his Elegy Written in a Country Churchyard, though this is not universally accepted. [76]
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