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Another version of the song, "All My Sorrows", was made popular by the Kingston Trio, who recorded it in 1959, followed by The Shadows in 1961 and The Searchers in 1963 on Sugar and Spice; The melody and chord changes were used as the basis of the Brandywine Singers' "Summer's Come and Gone" (Billboard No. 129, 1963). [citation needed]
The Jubilee Singers sang a song with a similar chorus but with different tune and lyrics, entitled "Nobody Knows the Trouble I See", first published in 1872. The second line ("Nobody knows my sorrow") is changed in some renditions to be "Nobody knows but Jesus"; [5] found most often in American church hymnals.
"Reflections of My Life" US Sheet Music Cover 1970. The guitar solo in "Reflections of My Life", often referred to as "reverse" guitar solo, was a sixteen bar (measure) sequence featured in the recording by Junior Campbell, the band's lead guitarist. The song is in the key of G major and the solo was recorded thus:
"See You in My Drums" – recorded 1 June 1961 "All My Sorrows" – recorded 13 June 1961 "Nivram" – recorded 13 June 1961 "Stand Up and Say That" – recorded 13 June 1961 "My Resistance is Low" – recorded 21 June 1961; Some of the songs were rereleased on The Shadows No. 2 and The Shadows No. 3 EPs.
Filmmaker Michael McGowan brings “All My Puny Sorrows,” his adaptation of beloved writer Miriam Toews’ novel, to the Toronto International Film Festival. The book, which McGowan adapted for ...
1920s – American Delta blues artist Delta Blind Billy in his song "Hidden Man Blues" had the line 'Man of sorrow all my days / Left the home where I been raised.' [44] 1937 – Alan Lomax recorded Sarah Ogan Gunning's performance of her version, "I Am a Girl of Constant Sorrow", for the Library of Congress's Archive of American Folk Song.
Miriam Toews’ 2014 novel “All My Puny Sorrows” thrives on the kind of fraught tonal whiplash that comes with the most intimate of relationships to one’s subject. Inspired by the suicide of ...
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.